Respectfully dedicated to my father-in-law, Jorgen Troldborg. A man who has taught me much.
In the Universe the 2nd rule of Thermodynamics applies: that entropy will ensue. We live with that knowledge comfortably because it is such a slow-going process. But in some cases, entropy is evident and even happens right before our very eyes. Such is the case with the workshop universe at the Troldborg farm. The universe is not as old as we thought. It is, in fact, forty years old because Jørgen (the owner of the universe) was thirty years old when he created it. The Universe is a part of a totality of Universes known as the Troldborg Gård (Troldborg Farm) and Jørgen acts as the manager and general CEO of the place: his creation by design. The workshop universe holds a special place in the history of time here because within its dark bowels lays the history of Troldborg Farm. This is a short story about that history and the entropy that is inherent in all creations including his.
As was stated, the Workshop Universe is about forty years old but the oldest tool somehow outdates the universe by some one-hundred and twenty years. Such illogical facts are not important to the creator. Now if the word of the creator is not to be questioned that tool is an ax of sorts used to split tree trunks and is still usable and is enjoying life as the metaphysical grandfather of all tools in the universe today. What sort of place does such a special parcel of amazing history take up in the universe? I asked the creator himself.
”Some place or another… I think it may be in the attic over the workshop…”
While he pondered the existential space-time continuum of the question, I pondered the importance and place of lesser tools in the workshop. For example, the Drill press, a no-named drill that was once used in a fishing village called Skagen Denmark. ”Of course,” the creator followed up when I asked him about it, “it was originally powered by a windmill in a workshop on the harbor up there. They had a ´pull-station´ and would throw a belt over one of the pulleys there and the drill would be run that way. When I got it I fixed it so it could be run with a little electric motor.” The drill press sits pretty much in the middle of the black-hole of the workshop; there is a black hole in the center of this universe as well. That is to say, right in the middle, surrounded by the insurmountable stash of tools, toys, scrap iron, wood, empty cans, half-full cans, fuel barrels, plastic buckets, chains, rope, plastic ties, nylon webbing, electric motors, gas motors, reserve parts, axles from cars, tractors, mopeds, bicycles, shovels (with and without handles), the handles of the said shovels without such handles, broken bottles, paint brushes, ratchet sets, open-ended wrenches, collections of assorted rubber parts, pieces of panhandled plows, compressor pistons, hay-press pulls, bolts, nuts, washers, screws and nails that have been pulled, pried, pricked, pummeled, pled, pounded and peened out, in and around most known materials of mankind, chainsaws, pulleys, lifts, hooks, cords, cables, used saws, assortments of hammers, several welders masks, an electric welder, boxes of welding sticks, gloves with and without holes, burnt out plugs, jars of liquids that defy definition and either snuff out life itself or are the cradles of civilizations yet unknown to even the creator himself. To actually come to stand next to the drill press would take a miraculous act or would cost one their sanity and probable their life to boot. It is said it can be done but the author has his doubts. I believe that it is the event horizon.
Another standing question that I had of the Workshop Universe is the large compressor that sits in its corner silently until its long, shaggy tail is followed through the trail of indefinable debris and connected with the hidden contact mounted proudly but covered with the dust, grease and grime of the infinite muck of universe itself. It is then that the monstrosity hums and pops into life spreading an earthquake of bangs that rumble the theoretical floor of the shop itself. Now I say ´theoretical´ only because the floor as really never been seen as far as I know. The fact that one does not float in the shop is no proof because of the thick, dense fog that hangs over and in the workshop at all times; perhaps the ether that Einstein mistakenly referred to? It would be easy enough to enjoy the sights and sounds of the shop simply by walking on the fog itself. Of course, there are theories about this but to go into the physical guesswork of if, when and how is well beyond the scope of this trivial discourse. Suffice it to say that the actual floor is somewhat of a myth. The compressor has no color but is not black nor is it white. It is rather a thick, oily grayish “blue”. Its color changes with the fog and with the sorrowful rays of sun that happen upon it from one of the three openings into the workshop world.